kidcudi  

Kid Cudi
50 Ways To Make A Record
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Album: A Kid Named Cudi (Mixtape, 2008)

paulsimon  

Paul Simon
50 Ways To Leave Your Lover
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Album: Still Crazy After All These Years (1975)

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One of the benefits of sampling other artists’ songs is that I get to rediscover music that I haven’t heard in a while. Such is the case with this edition of Musical Cousins.

One of the many (too many) year-end “best of” lists I read was The 10 Best Mixtapes of 2008 (all free, by the way). Most of them were not of interest to me, but I checked out a couple. The freshest was from Kid Cudi, a Cleveland singer-rapper who, as a result of his mixtape, became a protege of Kanye West.

Cudi has a laid back flow and a respectable singing voice. But what really brought a smile to my face was a throwaway track, a semi-cover of Paul SImon’s “50 Ways To Leave Your Lover” which he reworked as “50 Ways To Make A Record.” Yeah, the new lyrics are insidery and on its own, this track won’t move the needle for Cudi’s burgeoning career, but hearing that militaristic drum line took me back instantly.

I probably hadn’t heard Paul Simon’s version for at least 20 years, so after listening to Cudi’s track I downloaded the original immediately. Wow, what a great song (a 5-star classic, fo’ sho’). The song shifts — both musically and lyrically — from the wistful realization of dissatisfaction in the narrator’s relationship to the buoyant catharsis of letting go and finding relief through freedom. Simon is that rare artist who is equally skilled as a songwriter, singer, and musician and this classic is a testament to his talents.

Thanks, Kid Cudi, for shepherding me back to this song after all these years.

 

 
steelydan  

Steely Dan
The Fez
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Album: The Royal Scam (1976)

bizzieboys  

Bizzie Boys
For Those Who Slept
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Album: Droppin’ It! (1989)

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This time out on Musical Cousins, a minor Steely Dan hit begets an even more obscure hip hop track.

“The Fez” was included on The Royal Scam and though it doesn’t have quite the lyrical depth as most of Steely Dan’s hits (“I wanna be your holy man”?), the track’s driving rhythm has kept it in fans’ memories some 30+ years after its release.

One of the earlier hip hop acts to come out of the south, North Carolina’s Bizzie Boyz didn’t make a huge mark, but their album Droppin’ It! had heads nodding throughout the underground in the late 80s. The producer/rapper, Willski (who went on to become Ski Beatz, producer of Camp Lo’s awesome Uptown Saturday Night LP), doesn’t diverge too far from the Steely Dan original: he sped up and looped the intro, added a respectable DJ Premier-inspired scratched “chorus”, and a bouncy rap.

 

 
 

New Feeling/A Clean Break (recorded in 1977)
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Air (recorded in 1979)
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The Great Curve
(recorded in 1980 or 1981)
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Album: The Name Of This Band Is Talking Heads (1982)

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Though many are familiar with Stop Making Sense, the seminal 1984 concert film directed by Jonathan Demme, it only came a couple of years after Talking Heads released the concert diary The Name Of This Band Is Talking Heads. This record chronicled 6 performances over a 5 year span over the course of 4 sides. Listening to the album from start to finish reveals the breathtaking evolution in Talking Heads’ songwriting and musicianship, as well as the explosion in the number of fans in the audience and musicians on stage.

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