17th Street
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Must Be Something
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The Bottle
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Album: It’s Your World (1976)

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The year was 1976. America was reveling in its bicentennial celebration. I was five, and don’t remember a thing. But my pop culture-filtered nostalgia imagines 1976 as the precipice between free love optimism and cocaine-fueled excess.

It’s Your World — a (mostly) live double-LP credited to Gil Scott-Heron and Brian Jackson — was recorded just a couple of days before the July 4th holiday. While America at large was patting itself on the back, Gil was giving voice to those Americans who felt the country wasn’t living up to the Declaration of Independence’s key phrase, “All men are created equal.”

Gil Scott-Heron is so closely associated with his politics that it’s easy to forget the musicality apparent in his songs. Though Gil penned many of his own tunes, Brian Jackson contributed many of the duo’s finest compositions, and was the primary keys player.

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Only You
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Close The Door
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It Don’t Hurt Now
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When Somebody Loves You Back
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Album: Life Is A Song Worth Singing (1978)

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This is part two of a two-part tribute to Teddy Pendergrass. part one

Teddy Pendergrass’s Life Is A Song Worth Singing is a fine example of how Philly soul adapted to the disco/funk movement while remaining true to the diverse vocal personalities, complex orchestral arrangements, and accessible melodies that defined this popular regional subgenre. Teddy was (arguably) the biggest star of the storied Philadelphia International label, with a voice that can blow you away or woo you to bed — sometimes within the same song.

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Harold Melvin & The Blue Notes
Don’t Leave Me This Way (Dim’s Re-Edit)
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Album: After The Playboy Mansion (Compilation, 2002)

Teddy Pendergrass
You Can’t Hide From Yourself
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Album: Teddy Pendergrass (1977)

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This is part one of a two-part tribute to Teddy Pendergrass. part two

This week’s passing of soul legend Teddy Pendergrass hurts a little bit. Few can claim as much authority on the mic as Teddy. During his prime, even his ballads were turned up to 11.

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Can’t Fake The Feeling
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Released in 1980

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"Can’t Fake The Feeling" has been very good to me. As you can see from the photo of the label above, I paid a pretty penny for it but It was worth it. It’s one of those records that kills on the dancefloor, and few of my generation have ever heard it before — qualities that make DJs very happy.

When it was released 30 (!) years ago, it was  — justifiably — a massive #1 club hit. It’s easy to see why: the beat is steady, the production is tight, and the melody is catchy. And then there’s Geraldine’s raw, expressive singing that hearkens back to a time when dance track vocals were recorded with limited to no filters, pitch correction, or digitized harmonies.

It was released on the Prism label (Prism would later morph into seminal hip hop label Cold Chillin’ Records) and was written by Geraldine and Kat Dyson, who is primarily known for playing guitar with Prince’s New Power Generation. I’m sad to say that my limited online research into Geraldine didn’t reveal much about her; "Can’t Fake The Feeling" was her biggest hit.

 

 
AnotherVoyage  

If You’ve Got It, Flaunt It (Part 1)
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Do What You Wanna
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Uhuru
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Album: Another Voyage (1969)

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Ramsey Lewis is a bad-ass keys player and you’ve probably never heard of him. With 80 albums and three Grammy Awards to his credit, that’s a crying shame. Don’t feel guilty, though; he’s still touring, and you’ll be blown away by all the progressive music he’s given to the world.

I’m proud to say I have a bunch of Ramsey’s records. I’m trying to remember where I picked up this Crate Diggin’ gem, Another Voyage. I’m pretty sure it was the first Ramsey Lewis record I owned and that it was recommended to me by Cool Chris at San Francisco’s legendary Groove Merchant record store. Living around the block from one of the world’s foremost vinyl palaces wasn’t easy on my wallet. But I have no regrets.

Though the LP is credited to “The Ramsey Lewis Trio,” the other two cats deserve their props. Rhythm sections came and went, but at the time of Another Voyage, Ramsey was playing with some serious talent. Cleveland Eaton remains one of the jazz world’s most revered double bassists and was a member of The Ramsey Lewis Trio from 1966-1974. Maurice White joined Ramsey as his percussionist in 1966; Another Voyage was Maurice’s last album with Ramsey before he created a little outfit called Earth, Wind and Fire.

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