Let No Man Put Asunder
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Love Having You Around
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Dr. Love (Tom Moulton 12″ Mix)
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Album: Delusions (1977)

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The onset of spring makes disco bloom on my hi-fi. And though it has its place, I’m not talking about the commercial disco I wish I heard at Studio 54; I’m talking about the soulful proto-house disco I wish I heard at the Paradise Garage. One of the best examples of the latter is First Choice’s Delusions LP.

Annette Guest and Rochelle Fleming founded First Choice when they were still Philadelphia high school students. Rochelle reminisces:

Our success didn’t hit us until graduation night. We were marching down the aisle and the principal of the school said he wanted to congratulate First Choice… then the whole graduation class just stood up and hollered and screamed.

Five years later, as disco was starting to dominate the pop landscape, First Choice (Rochelle, Annette, and new member Ursula Herring) released Delusions. In hindsight, First Choice is perceived as more of a singles act rather than album artists. Delusions, however, is a fairly consistent collection of songs, thanks in part to the lush production from MFSB’s rhythm section: Ron Baker, Norman Harris, and Earl Young.

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Workinonit
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Two Can Win
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Don’t Cry
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Album: Donuts (2006)

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J Dilla’s Donuts isn’t for everyone. It has zero commercial aspirations, and would fairly be categorized as an experimental art project. But for those of us who like to deconstruct how producers dig for and manipulate samples, Donuts abounds with creativity and originality.

Donuts is sui generis: impossible to imagine anyone else creating it, and with no apparent influences. Sure, many others have started with the same set of tools — a diverse stack of vintage vinyl (most of it rare 45s), an MPC drum machine, a turntable, and a Mac — but no one synthesized these elements quite like Dilla.

Most of the time, sample-based productions extract a few seconds of a track, loop it, and layer a beat on top of it. But Dilla can chop up a track into precise chunks, then reform it into its hipper cousin.

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Evelyn "Champagne" King  

Shame (12" Mix)
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Smooth Talk
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I Don’t Know If It’s Right
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The Show Is Over
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Album: Smooth Talk (1977)

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Evelyn “Champagne” King was all of 17 years old when her debut record Smooth Talk was released. Discovered while accompanying her mother as she worked as a janitor at Philadelphia International Records (home to The O’Jays, Lou Rawls, and Teddy Pendergrass, among many others), Evelyn was successful from the get-go with her 5-star classic first single, “Shame,” presented here in its extended 12″ mix. In addition to lengthening some passages within the song, the producer trebelled out the mix a bit. Or maybe my 12″ of “Shame” is in better shape than my Smooth Talk LP.

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Trouble Man  

“T” Plays It Cool
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Cleo’s Apartment
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Trouble Man
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“T” Stands for Trouble
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Album: Trouble Man (1972)

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In ranking the best Blaxploitation soundtracks, the cognoscenti usually select Curtis Mayfield’s Superfly or Isaac Hayes’s Shaft as the best from that era. Maybe James Brown’s Black Caesar. But rarely do I see Marvin Gaye’s Trouble Man soundtrack at the top of the list. SImilarly, I rarely see Trouble Man listed among Marvin’s best LPs.

Both are errors in judgment. Trouble Man was Marvin’s follow-up to the seminal What’s Going On, and is a key milestone in Marvin’s evolution from Motown pop star to bold singer-songwriter. Trouble Man isn’t just a key achievement among Blaxploitation soundtracks, it’s one of Marvin’s most musically-adventurous albums.

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Kool G. Rap & D.J. Polo
On The Run (Dirty Untouchable Remix)
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Released in 1992

 

Ray Bryant
Up Above The Rock
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Released in 1969

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I had a thing at work recently where I was overdramatically quoting (sotto voce) that psycho De Niro speech from The Untouchables:

That same day, my iPod shuffle randomly selected a remix of Kool G. Rap & D.J. Polo’s 5-star classic “On The Run,” which samples that very same quote. Funny how the universe works sometimes.

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