12″ Gems: The Clash, The Magnificent Seven

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The Magnificent Seven
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The Magnificent Dance
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Released in 1981

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This edition of 12″ Gems features one of the most addictive bass lines to ever grace the dancefloor. The Clash isn’t the first band to come to mind when you’re up in the club, but “The Magnificent Dance” appeals to pretty much anyone who gets up to get down. (For the record, “Rock The Casbah” works brilliantly too.)

The Clash were consistently pushing the boundaries of music. Though mostly defined as a “punk” bank, they also incorporated reggae, political fury, and — as demonstrated on this 12″ — rap into their sound. “The Magnificent Seven” was recorded in 1980, and may have been the first rap record made by whitey (with the possible exception of Blondie’s “Rapture,” which came out at roughly the same time).

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LP Classics: Minutemen, Double Nickels On The Dime

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Viet Nam
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Cohesion
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The Glory Of Man
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Jesus And Tequila
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Album: Double Nickels On The Dime (1984)

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How to define punk rock? Is it the sound (electric guitars, hard drums, screaming vocals)? The lyrics (anti-establishment)? The attitude (do-it-yourself, be different)? In a lot of ways, the rise of punk was later mirrored by the explosion of hip hop — it’s as much a cultural movement as a musical one.

Growing up, I can’t say that I was heavy into music that would be neatly categorized as punk, but the punk ethos inspired the bands that I loved (e.g. Talking Heads, R.E.M., The Cure). When I heard Minutemen’s Double Nickels On The Dime towards the end of my high school years, it really opened my mind to how liberating punk rock — and, for that matter, music of any genre — could be. My appreciation of this record has only grown in the two decades since I first heard it.

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