AnotherVoyage  

If You’ve Got It, Flaunt It (Part 1)
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Do What You Wanna
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Uhuru
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Album: Another Voyage (1969)

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Ramsey Lewis is a bad-ass keys player and you’ve probably never heard of him. With 80 albums and three Grammy Awards to his credit, that’s a crying shame. Don’t feel guilty, though; he’s still touring, and you’ll be blown away by all the progressive music he’s given to the world.

I’m proud to say I have a bunch of Ramsey’s records. I’m trying to remember where I picked up this Crate Diggin’ gem, Another Voyage. I’m pretty sure it was the first Ramsey Lewis record I owned and that it was recommended to me by Cool Chris at San Francisco’s legendary Groove Merchant record store. Living around the block from one of the world’s foremost vinyl palaces wasn’t easy on my wallet. But I have no regrets.

Though the LP is credited to “The Ramsey Lewis Trio,” the other two cats deserve their props. Rhythm sections came and went, but at the time of Another Voyage, Ramsey was playing with some serious talent. Cleveland Eaton remains one of the jazz world’s most revered double bassists and was a member of The Ramsey Lewis Trio from 1966-1974. Maurice White joined Ramsey as his percussionist in 1966; Another Voyage was Maurice’s last album with Ramsey before he created a little outfit called Earth, Wind and Fire.

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rose-royce  

Wishing On A Star
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Do Your Dance
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Album: In Full Bloom (1977)

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About six months ago, the music world lost Norman Whitfield. Whitfield was one of the driving forces behind the Motown label, writing and producing a jaw-dropping litany of hits including “I Heard It Through The Grapevine,” “Papa Was A Rolling Stone,” “Smiling Faces Sometimes,” and “War (What Is It Good For).” After leaving Motown in the early 70s, Whitfield stole some of the label’s underused assets and started his own eponymous shingle.

Whitfield Records biggest success was the 1976 soundtrack album for Car Wash, with the title track, “I Can’t Get Next To You,” and “I’m Going Down” representing on the singles charts. Their follow-up record, In Full Bloom didn’t include a hit as infectious as “Car Wash,” but still produced a few memorable tracks.

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sign1  

The Ballad Of Dorothy Parker
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Slow Love
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If I Was Your Girlfriend
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Adore
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Album: Sign O’ The Times (1987)

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Most casual Prince fans would peg Purple Rain as their favorite of his albums. But those that have followed Prince’s career would probably pick Sign O’ The Times, his double LP from 1987. I play this record all the time, and picking only a few tracks to share was challenging.

I was fortunate enough to see Prince on the Sign O’ The Times tour in 1988. My high school friend, Adrian, and I had spent the day in Manhattan and we were approaching Penn Station to take the train home to Long Island. A scalper approached us and offered us tickets to that night’s show for $60 each. We were typical broke high school students and bargained him down to $60 for both. Amazing seats, right on the floor. Here are my memories of the show: it was in the round, there was a basketball court on the stage, a huge pipe organ was lowered from the ceiling, Eric B. and Rakim was sitting close to us, and a car actually drove him on and off the stage (talk about extravagant!). Overall, it was among the best live performances I’ve ever seen.

Back to the record. As I wrote earlier, it’s chock full of 5-star classics, so I tried to pick ones that folks may not know as well. And just to be really OCD about it, I selected one song from each of its four sides.

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gwen  

Gwen McCrae
All This Love That I’m Giving
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Album: Melody Of Life (1979)

1999  

Cassius
Feeling For You
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Album: 1999 (1999)

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This time out on Musical Cousins, two tracks that will make you shake your booty. Spaced 20 years apart, Gwen McCrae’s disco-funk classic, “All This Love I’m Giving,” inspired the arch French duo Cassius to produce “Feeling For You,” a bouncy electro-house track from their underappreciated 1999 album. Two very different approaches to dance music, but don’t make me choose.

Gwen McCrae is one of those 70s soul divas who never quite penetrated the mainstream in the same manner as her contemporaries (e.g. Donna Summer, Diana Ross). Emerging from the shadow of her (allegedly) abusive ex-husband, George McCrae (responsible for the mid-70s hit “Rock Your Baby”), Gwen released a few mildly successful records before getting rediscovered in the UK and enterprising hip hop producers. She’s still at it, but has shifted her talents to gospel music.

Cassius started their career remixing tracks from French house progenitors Daft Punk and Air. 1999 was their debut album, and burned up the dance charts all over the planet. For the single “Feeling For You,” Cassius took a phrase from “All This Love That I’m Giving,” sped it up and looped it, and dropped layers of synthesizers and beats behind it. Sounds simple, but there’s a mathematical precision to how Cassius constructs their tracks, maximizing their danceability quotient.

 

 
rejuvenation  

People Say
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Just Kissed My Baby
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Africa
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Album: Rejuvenation (1974)

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Though it’s not the most popular of The Meters’ records (I would guess it’s a tossup between Look-Ka Py Py and Fire On The Bayou), 1974′s Rejuvenation captures the transition from The Meters’ early, tight funk days to their later, jam-band incarnation.

Though The Meters haven’t released a studio album in the past 30 years, they continue to tour with some permutation of the original lineup. I’ve had the privilege of seeing them live on many occasions during the mid-1990s, and it is impossible not to seriously get down at a Meters show.

Though my perception of The Meters is rooted in their live performances, that’s a limited perspective, and there is no greater testament to this than the volumes of artists who have recorded with, covered, or sampled The Meters over the years: Paul McCartney, Labelle (The Meters were the studio band for “Lady Marmalade”), The Grateful Dead, A Tribe Called Quest, and many others.

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