Musical Cousins: Kool G. Rap & DJ Polo + Ray Bryant

 

Kool G. Rap & D.J. Polo
On The Run (Dirty Untouchable Remix)
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Released in 1992

 

Ray Bryant
Up Above The Rock
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Released in 1969

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I had a thing at work recently where I was overdramatically quoting (sotto voce) that psycho De Niro speech from The Untouchables:

I want him dead clip sound bite

That same day, my iPod shuffle randomly selected a remix of Kool G. Rap & D.J. Polo’s 5-star classic “On The Run,” which samples that very same quote. Funny how the universe works sometimes.

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Crate Diggin’: Elvis Costello & The Attractions, Imperial Bedroom

 

Beyond Belief
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Shabby Doll
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Man Out Of Time
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Almost Blue
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Released in 1982

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Elvis Costello is a great all-around songwriter. His work features creative and catchy melodies, deftly honors a range of musical genres, and delivers lyrics that can be both narrative and poetic.

Imperial Bedroom is among his better LPs. Elvis’s artistic restlessness often results in his albums lacking in cohesion. But Imperial Bedroom succeeds due to its diversity and craft; no wonder it is regarded as one of Elvis’s best.

Released in 1982 — his seventh album in five years — Elvis teamed up with a new producer, Geoff Emerick. Emerick was an engineer on many of The Beatles’ later records (the first track he engineered was “Tomorrow Never Knows”), and his influence on Elvis Costello & The Attractions’ sound is clear.

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LP Classics: Teddy Pendergrass, Life Is A Song Worth Singing

 

Only You
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Close The Door
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It Don’t Hurt Now
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When Somebody Loves You Back
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Album: Life Is A Song Worth Singing (1978)

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This is part two of a two-part tribute to Teddy Pendergrass. part one

Teddy Pendergrass’s Life Is A Song Worth Singing is a fine example of how Philly soul adapted to the disco/funk movement while remaining true to the diverse vocal personalities, complex orchestral arrangements, and accessible melodies that defined this popular regional subgenre. Teddy was (arguably) the biggest star of the storied Philadelphia International label, with a voice that can blow you away or woo you to bed — sometimes within the same song.

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R.I.P. – Teddy Pendergrass

 

Harold Melvin & The Blue Notes
Don’t Leave Me This Way (Dim’s Re-Edit)
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Album: After The Playboy Mansion (Compilation, 2002)

Teddy Pendergrass
You Can’t Hide From Yourself
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Album: Teddy Pendergrass (1977)

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This is part one of a two-part tribute to Teddy Pendergrass. part two

This week’s passing of soul legend Teddy Pendergrass hurts a little bit. Few can claim as much authority on the mic as Teddy. During his prime, even his ballads were turned up to 11.

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12″ Gems: The Clash, The Magnificent Seven

magnificent  

The Magnificent Seven
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The Magnificent Dance
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Released in 1981

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This edition of 12″ Gems features one of the most addictive bass lines to ever grace the dancefloor. The Clash isn’t the first band to come to mind when you’re up in the club, but “The Magnificent Dance” appeals to pretty much anyone who gets up to get down. (For the record, “Rock The Casbah” works brilliantly too.)

The Clash were consistently pushing the boundaries of music. Though mostly defined as a “punk” bank, they also incorporated reggae, political fury, and — as demonstrated on this 12″ — rap into their sound. “The Magnificent Seven” was recorded in 1980, and may have been the first rap record made by whitey (with the possible exception of Blondie’s “Rapture,” which came out at roughly the same time).

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