Ain’t No Fun (If the Homies Can’t Have None)
Snoop Doggy Dogg w/Nate Dogg, Kurupt, Warren G
Released in 1993
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Oh No
Pharoahe Monch w/Nate Dogg, Mos Def
Released in 2000
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The Set Up (Remix)
Obie Trice w/Nate Dogg, Redman, Lloyd Banks, Jadakiss
Released in 2004
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Sad to hear of Nate Dogg’s recent passing. Nate wasn’t the first singer to provide R&B-style hooks on rap records (TJ Swan, perhaps?), but I can’t remember any R&B/hip hop hybrid prior to Nate’s 1992 appearances on Dr. Dre’s The Chronic that didn’t inflict collateral damage to anyone’s street cred.

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voodoo  

Playa Playa
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Devil’s Pie
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One Mo’Gin
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Untitled (How Does It Feel)
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Album: Voodoo (2000)

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Where did you go, D’Angelo? The gossip says you had/have a drug problem, your MySpace blog chalks it up to you being “a deliberate guy,” and the pictures are disheartening, check the before and after:

beckdangelo_main
With Beck, about a decade ago
street29_d_angelo_200
2005 mugshot

After the monumental achievement that was 2000′s Voodoo, we’ve heard next to nothing from you. I hazily remember you getting arrested a few years ago with some weed and powder, but musically it’s been pretty sparse: choruses on unmemorable hip hop throwaways, one stellar track ("Water Get No Enemy" from a 2002 Fela tribute album), and a handful of other crap that was a waste of your blessings.

I’ll stop ranting atcha, D, but I gotta admit — it feels good to vent.

Despite my bitterness, I still haven’t soured on Voodoo. Others may have dropped more hits, but there are only a handful who put out a long-player that was coherent and listenable from start to finish.

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The W  

Wu-Tang Clan
Hollow Bones
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Album: The W (2000)

Is It Because I'm Black  

Syl Johnson
Is It Because I’m Black
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Album: Is It Because I’m Black (1969)

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Introducing Musical Cousins, where I take two or more tracks that relate to each other in some way. The most obvious application — including this one — will be to pair a modern-ish song with the original beat it samples. But I may latch on to other, more esoteric pairings as well.

For the inaugural edition, I’ve chosen a joint from the uneven Wu-Tang Clan record, The W. Verses from Raekwon, Inspectah Deck and Ghostface flow beautifully in a track that is made for headphones (but not for the dancefloor).

Contrast it to Syl Johnson’s original and witness RZA’s minimal, yet effective, sampling methodologies. He doesn’t utilize any sounds that aren’t part of the original song. He just increased the tempo, looped a few bits, and sprinkled on a few effects.

Though lyrically, the two tracks are markedly different — Johnson is wailing on the dehumanizing effects of racism while the Wu deliver intricate, crime-themed wordplay — they share an underlying despair and a driving force to persevere regardless of the bleak circumstances.

 

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