magnificent  

The Magnificent Seven
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The Magnificent Dance
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Released in 1981

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This edition of 12″ Gems features one of the most addictive bass lines to ever grace the dancefloor. The Clash isn’t the first band to come to mind when you’re up in the club, but “The Magnificent Dance” appeals to pretty much anyone who gets up to get down. (For the record, “Rock The Casbah” works brilliantly too.)

The Clash were consistently pushing the boundaries of music. Though mostly defined as a “punk” bank, they also incorporated reggae, political fury, and — as demonstrated on this 12″ — rap into their sound. “The Magnificent Seven” was recorded in 1980, and may have been the first rap record made by whitey (with the possible exception of Blondie’s “Rapture,” which came out at roughly the same time).

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operationdoomsday  

MF DOOM
Rhymes Like Dimes (Edit)
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Album: Operation: Doomsday (1999)

thedude  

Quincy Jones (w/James Ingram)
One Hundred Ways
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Album: The Dude (1981)

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MF DOOM may be my favorite rapper at this point in time. He is one of the best rhymers in the game, and the combination of his cryptic lyrics and hoarse voice makes him stand out from other MCs.

Formerly known as Zev Love X, MF DOOM first came on the scene as part of 90s underground hip hop group KMD, until the group came to an untimely end after his partner Subroc died tragically in a car accident.

Many years after KMD fell off my radar, I started hearing tracks from MF DOOM with no clue that he was Zev Love X reborn. Me being an obsessive sort, I started looking into this talented rapper/producer only to be confused by all the different names he recorded under. Was he MF DOOM? Viktor Vaughn? King Geedorah? It didn’t really matter, all incarnations were dope. (And big up to Wikipedia for helping me sort through all of MF DOOM‘s personas.)

One of the recordings I picked up was, Live From Planet X, a ferocious live set from 2005 that included a selection I hadn’t heard yet, “Rhymes Like Dimes.” As usual, MF DOOM’s rhymes and phrasing were amazing (e.g. “Classical slapstick, rappers need chapstick”), but what really got me pumped were the snaky keys. Where did I hear them before?

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New Feeling/A Clean Break (recorded in 1977)
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Air (recorded in 1979)
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The Great Curve
(recorded in 1980 or 1981)
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Album: The Name Of This Band Is Talking Heads (1982)

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Though many are familiar with Stop Making Sense, the seminal 1984 concert film directed by Jonathan Demme, it only came a couple of years after Talking Heads released the concert diary The Name Of This Band Is Talking Heads. This record chronicled 6 performances over a 5 year span over the course of 4 sides. Listening to the album from start to finish reveals the breathtaking evolution in Talking Heads’ songwriting and musicianship, as well as the explosion in the number of fans in the audience and musicians on stage.

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