Let No Man Put Asunder
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Love Having You Around
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Dr. Love (Tom Moulton 12″ Mix)
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Album: Delusions (1977)

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The onset of spring makes disco bloom on my hi-fi. And though it has its place, I’m not talking about the commercial disco I wish I heard at Studio 54; I’m talking about the soulful proto-house disco I wish I heard at the Paradise Garage. One of the best examples of the latter is First Choice’s Delusions LP.

Annette Guest and Rochelle Fleming founded First Choice when they were still Philadelphia high school students. Rochelle reminisces:

Our success didn’t hit us until graduation night. We were marching down the aisle and the principal of the school said he wanted to congratulate First Choice… then the whole graduation class just stood up and hollered and screamed.

Five years later, as disco was starting to dominate the pop landscape, First Choice (Rochelle, Annette, and new member Ursula Herring) released Delusions. In hindsight, First Choice is perceived as more of a singles act rather than album artists. Delusions, however, is a fairly consistent collection of songs, thanks in part to the lush production from MFSB’s rhythm section: Ron Baker, Norman Harris, and Earl Young.

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Evelyn "Champagne" King  

Shame (12" Mix)
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Smooth Talk
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I Don’t Know If It’s Right
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The Show Is Over
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Album: Smooth Talk (1977)

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Evelyn “Champagne” King was all of 17 years old when her debut record Smooth Talk was released. Discovered while accompanying her mother as she worked as a janitor at Philadelphia International Records (home to The O’Jays, Lou Rawls, and Teddy Pendergrass, among many others), Evelyn was successful from the get-go with her 5-star classic first single, “Shame,” presented here in its extended 12″ mix. In addition to lengthening some passages within the song, the producer trebelled out the mix a bit. Or maybe my 12″ of “Shame” is in better shape than my Smooth Talk LP.

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Harold Melvin & The Blue Notes
Don’t Leave Me This Way (Dim’s Re-Edit)
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Album: After The Playboy Mansion (Compilation, 2002)

Teddy Pendergrass
You Can’t Hide From Yourself
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Album: Teddy Pendergrass (1977)

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This is part one of a two-part tribute to Teddy Pendergrass. part two

This week’s passing of soul legend Teddy Pendergrass hurts a little bit. Few can claim as much authority on the mic as Teddy. During his prime, even his ballads were turned up to 11.

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rose-royce  

Wishing On A Star
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Do Your Dance
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Album: In Full Bloom (1977)

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About six months ago, the music world lost Norman Whitfield. Whitfield was one of the driving forces behind the Motown label, writing and producing a jaw-dropping litany of hits including “I Heard It Through The Grapevine,” “Papa Was A Rolling Stone,” “Smiling Faces Sometimes,” and “War (What Is It Good For).” After leaving Motown in the early 70s, Whitfield stole some of the label’s underused assets and started his own eponymous shingle.

Whitfield Records biggest success was the 1976 soundtrack album for Car Wash, with the title track, “I Can’t Get Next To You,” and “I’m Going Down” representing on the singles charts. Their follow-up record, In Full Bloom didn’t include a hit as infectious as “Car Wash,” but still produced a few memorable tracks.

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New Feeling/A Clean Break (recorded in 1977)
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Air (recorded in 1979)
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The Great Curve
(recorded in 1980 or 1981)
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Album: The Name Of This Band Is Talking Heads (1982)

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Though many are familiar with Stop Making Sense, the seminal 1984 concert film directed by Jonathan Demme, it only came a couple of years after Talking Heads released the concert diary The Name Of This Band Is Talking Heads. This record chronicled 6 performances over a 5 year span over the course of 4 sides. Listening to the album from start to finish reveals the breathtaking evolution in Talking Heads’ songwriting and musicianship, as well as the explosion in the number of fans in the audience and musicians on stage.

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