guilty

Barbra Streisand (w/Barry Gibb)
Guilty
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Album: Guilty (1980)

tanyamorgan

Tanya Morgan
Stay Tuned (Sunset Version)
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Album: Sunset (EP, 2005)

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A couple of months ago, I was diggin’ in the dollar bin at Amoeba and came across Guilty, a Barbra Streisand/Barry Gibb duet album from 1980. My Mom totally had this record, and played it frequently enough that the title song came back to me instantly. As I stood hunched over the crate on the floor, I wondered what other beats might lurk within the dated airbrushed sleeve. For a buck, I could satisfy my curiosity and prevent lingering back damage.

I had thought about featuring Guilty in a new gBlog feature dedicated to cheesy pop, but couldn’t find enough tracks on the record that were bad-good enough to share. Oh well. At least the title cut — which won a Grammy and features the brothers Gibb (aka the Bee Gees) on background vocals — entertained me enough to rip it and upload to my iPod.

I had pretty much given up on the idea of blogging about the record. But a few weeks after I had put it aside, I heard a familiar sample in a podcast from The Sound of Young America. It was included in a 2006 performance by an unknown rap group with a misleading name: Tanya Morgan. (According to their MySpace profile, “THE NAME MEANS NOTHING…AND EVERYTHING. JUST ENJOY THE MUSIC! THATS AN OLD QUESTION PLEASE DONT ASK IT ANYMORE! LOL”)

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reggie  

Elton John
Bennie And The Jets
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Album: Goodbye Yellow Brick Road (1974)

kelz  

R. Kelly (w/T.I. & T-Pain)
I’m A Flirt (Remix)
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Album: Double Up (2007)

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In this post, I feature distant Musical Cousins R. Kelly and Elton John. They don’t have any obvious connection but somehow it’s clear to me that R. Kelly had “Bennie And The Jets” in mind when he wrote “I’m A Flirt.” The bouncy, driving piano lines that feed both tracks result in vastly different songs, but both are 5-star classics to this listener.

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retrocovers  

Nostalgia 77 (w/Alice Russell)
Seven Nation Army
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Tender Forever
My Love
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B.Cause (w/The Whitefield Brothers & The Dazz Band)
Let It Whip
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I’m gonna switch things up on Musical Cousins. Usually, I do a modernish song that contains a sample from a slightly less modern song. Not this time. The tracks offered up in this post are all cover versions that sound as if they were released before the original. Allow me to demonstrate.

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operationdoomsday  

MF DOOM
Rhymes Like Dimes (Edit)
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Album: Operation: Doomsday (1999)

thedude  

Quincy Jones (w/James Ingram)
One Hundred Ways
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Album: The Dude (1981)

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MF DOOM may be my favorite rapper at this point in time. He is one of the best rhymers in the game, and the combination of his cryptic lyrics and hoarse voice makes him stand out from other MCs.

Formerly known as Zev Love X, MF DOOM first came on the scene as part of 90s underground hip hop group KMD, until the group came to an untimely end after his partner Subroc died tragically in a car accident.

Many years after KMD fell off my radar, I started hearing tracks from MF DOOM with no clue that he was Zev Love X reborn. Me being an obsessive sort, I started looking into this talented rapper/producer only to be confused by all the different names he recorded under. Was he MF DOOM? Viktor Vaughn? King Geedorah? It didn’t really matter, all incarnations were dope. (And big up to Wikipedia for helping me sort through all of MF DOOM‘s personas.)

One of the recordings I picked up was, Live From Planet X, a ferocious live set from 2005 that included a selection I hadn’t heard yet, “Rhymes Like Dimes.” As usual, MF DOOM’s rhymes and phrasing were amazing (e.g. “Classical slapstick, rappers need chapstick”), but what really got me pumped were the snaky keys. Where did I hear them before?

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kidcudi  

Kid Cudi
50 Ways To Make A Record
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Album: A Kid Named Cudi (Mixtape, 2008)

paulsimon  

Paul Simon
50 Ways To Leave Your Lover
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Album: Still Crazy After All These Years (1975)

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One of the benefits of sampling other artists’ songs is that I get to rediscover music that I haven’t heard in a while. Such is the case with this edition of Musical Cousins.

One of the many (too many) year-end “best of” lists I read was The 10 Best Mixtapes of 2008 (all free, by the way). Most of them were not of interest to me, but I checked out a couple. The freshest was from Kid Cudi, a Cleveland singer-rapper who, as a result of his mixtape, became a protege of Kanye West.

Cudi has a laid back flow and a respectable singing voice. But what really brought a smile to my face was a throwaway track, a semi-cover of Paul SImon’s “50 Ways To Leave Your Lover” which he reworked as “50 Ways To Make A Record.” Yeah, the new lyrics are insidery and on its own, this track won’t move the needle for Cudi’s burgeoning career, but hearing that militaristic drum line took me back instantly.

I probably hadn’t heard Paul Simon’s version for at least 20 years, so after listening to Cudi’s track I downloaded the original immediately. Wow, what a great song (a 5-star classic, fo’ sho’). The song shifts — both musically and lyrically — from the wistful realization of dissatisfaction in the narrator’s relationship to the buoyant catharsis of letting go and finding relief through freedom. Simon is that rare artist who is equally skilled as a songwriter, singer, and musician and this classic is a testament to his talents.

Thanks, Kid Cudi, for shepherding me back to this song after all these years.

 

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