Archive for the ‘LP Classics’ Category

LP Classics: Teddy Pendergrass, Life Is A Song Worth Singing

 

Only You
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Close The Door
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It Don’t Hurt Now
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When Somebody Loves You Back
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Album: Life Is A Song Worth Singing (1978)

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This is part two of a two-part tribute to Teddy Pendergrass. part one

Teddy Pendergrass’s Life Is A Song Worth Singing is a fine example of how Philly soul adapted to the disco/funk movement while remaining true to the diverse vocal personalities, complex orchestral arrangements, and accessible melodies that defined this popular regional subgenre. Teddy was (arguably) the biggest star of the storied Philadelphia International label, with a voice that can blow you away or woo you to bed — sometimes within the same song.

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LP Classics: D’Angelo, Voodoo

voodoo  

Playa Playa
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Devil’s Pie
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One Mo’Gin
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Untitled (How Does It Feel)
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Album: Voodoo (2000)

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Where did you go, D’Angelo? The gossip says you had/have a drug problem, your MySpace blog chalks it up to you being “a deliberate guy,” and the pictures are disheartening, check the before and after:

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With Beck, about a decade ago
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2005 mugshot

After the monumental achievement that was 2000’s Voodoo, we’ve heard next to nothing from you. I hazily remember you getting arrested a few years ago with some weed and powder, but musically it’s been pretty sparse: choruses on unmemorable hip hop throwaways, one stellar track ("Water Get No Enemy" from a 2002 Fela tribute album), and a handful of other crap that was a waste of your blessings.

I’ll stop ranting atcha, D, but I gotta admit — it feels good to vent.

Despite my bitterness, I still haven’t soured on Voodoo. Others may have dropped more hits, but there are only a handful who put out a long-player that was coherent and listenable from start to finish.

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LP Classics: Minutemen, Double Nickels On The Dime

double-nickels  

Viet Nam
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Cohesion
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The Glory Of Man
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Jesus And Tequila
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Album: Double Nickels On The Dime (1984)

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How to define punk rock? Is it the sound (electric guitars, hard drums, screaming vocals)? The lyrics (anti-establishment)? The attitude (do-it-yourself, be different)? In a lot of ways, the rise of punk was later mirrored by the explosion of hip hop — it’s as much a cultural movement as a musical one.

Growing up, I can’t say that I was heavy into music that would be neatly categorized as punk, but the punk ethos inspired the bands that I loved (e.g. Talking Heads, R.E.M., The Cure). When I heard Minutemen’s Double Nickels On The Dime towards the end of my high school years, it really opened my mind to how liberating punk rock — and, for that matter, music of any genre — could be. My appreciation of this record has only grown in the two decades since I first heard it.

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LP Classics: Prince, Sign O’ The Times

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The Ballad Of Dorothy Parker
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Slow Love
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If I Was Your Girlfriend
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Adore
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Album: Sign O’ The Times (1987)

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Most casual Prince fans would peg Purple Rain as their favorite of his albums. But those that have followed Prince’s career would probably pick Sign O’ The Times, his double LP from 1987. I play this record all the time, and picking only a few tracks to share was challenging.

I was fortunate enough to see Prince on the Sign O’ The Times tour in 1988. My high school friend, Adrian, and I had spent the day in Manhattan and we were approaching Penn Station to take the train home to Long Island. A scalper approached us and offered us tickets to that night’s show for $60 each. We were typical broke high school students and bargained him down to $60 for both. Amazing seats, right on the floor. Here are my memories of the show: it was in the round, there was a basketball court on the stage, a huge pipe organ was lowered from the ceiling, Eric B. and Rakim was sitting close to us, and a car actually drove him on and off the stage (talk about extravagant!). Overall, it was among the best live performances I’ve ever seen.

Back to the record. As I wrote earlier, it’s chock full of 5-star classics, so I tried to pick ones that folks may not know as well. And just to be really OCD about it, I selected one song from each of its four sides.

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LP Classics: Quincy Jones, You’ve Got It Bad Girl

Quincy Jones - You've Got It Bad Girl  

Summer In The City
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Manteca
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“Sanford & Son” Theme
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Chump Change
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Album: You’ve Got It Bad Girl (1973)

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To mark the one month anniversary of gBlog, I’ve got a new feature that I hope you will enjoy: LP Classics, a tribute to the best records in my collection. The rules: each selection must have a few 4- and 5-star classics, and it can’t be a compilation or live album.

I’d be hard-pressed to come up with a more auspicious debut for this feature than the LP I selected: Quincy Jones’s You’ve Got It Bad Girl. Released in 1973, it’s rarely mentioned among Q’s triumphs, but I’ve played and enjoyed this record countless times. I found it at a San Francisco sidewalk sale for $2, a deal that still makes me smile some 15 years later.

As you can see from the tags I assigned to this post, Quincy showcases his eclectic tastes on this LP. A few tracks originate from movies or TV shows, others are creative interpretations of other artists’ songs, and the liner notes detail several legendary session players providing support throughout the album.

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