Wrektime
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Sound Bwoy Bureill
(w/Starang Wonduh, Top Dog)
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Home Sweet Home
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Album: Dah Shinin’ (1995)

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I couldn’t decide if Smif-N-Wessun’s Dah Shinin’ should be categorized within LP Classics or Crate Diggin’.

One the one hand, Dah Shinin’ is a mid-90s banger, and was part of a wave of releases that brought some shine back to New York hip hop after years of West Coast dominance. So LP Classics seems like the right place for this post.

On the other hand, unless you were a serious connoisseur of rap, you’ve probably never heard of Smif-N-Wessun, its talented MCs Tek and Steele, or their underrated producers, Da Beatmizerz. The duo appears to identify itself with an underground aesthetic; so from that perspective, maybe Crate Diggin’ would be the more appropriate categorization.

It’s the rare record that can be both amazing and unknown, but Dah Shinin’ pulls it off. It’s not for everyone, though. The lyrics are raw, the beats are moody and ambient. And kids should definitely not attempt to learn spelling from the duo; everything in the Smif-N-Wessun universe uses ridiculous, phonetic spelling. (“Wipe Ya Mouf”?)

But for those who can hang with the realness, Da Shinin’ is one of hip hop’s most steady LPs; having a single producer oversee the record makes a huge difference to its flow.

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Driven To Tears
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When The World Is Running Down, You Make The Best Of What’s Still Around (Different Gear Remix)
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Voices Inside My Head
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Album: Zenyatta Mondatta (1980)

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For an album that the band itself isn’t particularly satisfied with, Zenyatta Mondatta sure has some gems on it. The accepted story is that The Police were pressured to complete the record prior to going on a world tour, despite the band’s grumblings. Regardless, Zenyatta Mondatta succeeds due to the trio’s chemistry, songwriting, and musicianship.

Zenyatta Mondatta‘s biggest hits were the terrific “Don’t Stand So Close To Me” and the idiotic “De Do Do Do, De Da Da Da.” More interesting are the dancefloor classics that captured a band willing to broaden their sound.

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Let No Man Put Asunder
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Love Having You Around
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Dr. Love (Tom Moulton 12″ Mix)
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Album: Delusions (1977)

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The onset of spring makes disco bloom on my hi-fi. And though it has its place, I’m not talking about the commercial disco I wish I heard at Studio 54; I’m talking about the soulful proto-house disco I wish I heard at the Paradise Garage. One of the best examples of the latter is First Choice’s Delusions LP.

Annette Guest and Rochelle Fleming founded First Choice when they were still Philadelphia high school students. Rochelle reminisces:

Our success didn’t hit us until graduation night. We were marching down the aisle and the principal of the school said he wanted to congratulate First Choice… then the whole graduation class just stood up and hollered and screamed.

Five years later, as disco was starting to dominate the pop landscape, First Choice (Rochelle, Annette, and new member Ursula Herring) released Delusions. In hindsight, First Choice is perceived as more of a singles act rather than album artists. Delusions, however, is a fairly consistent collection of songs, thanks in part to the lush production from MFSB’s rhythm section: Ron Baker, Norman Harris, and Earl Young.

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Evelyn "Champagne" King  

Shame (12" Mix)
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Smooth Talk
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I Don’t Know If It’s Right
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The Show Is Over
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Album: Smooth Talk (1977)

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Evelyn “Champagne” King was all of 17 years old when her debut record Smooth Talk was released. Discovered while accompanying her mother as she worked as a janitor at Philadelphia International Records (home to The O’Jays, Lou Rawls, and Teddy Pendergrass, among many others), Evelyn was successful from the get-go with her 5-star classic first single, “Shame,” presented here in its extended 12″ mix. In addition to lengthening some passages within the song, the producer trebelled out the mix a bit. Or maybe my 12″ of “Shame” is in better shape than my Smooth Talk LP.

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Beyond Belief
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Shabby Doll
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Man Out Of Time
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Almost Blue
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Released in 1982

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Elvis Costello is a great all-around songwriter. His work features creative and catchy melodies, deftly honors a range of musical genres, and delivers lyrics that can be both narrative and poetic.

Imperial Bedroom is among his better LPs. Elvis’s artistic restlessness often results in his albums lacking in cohesion. But Imperial Bedroom succeeds due to its diversity and craft; no wonder it is regarded as one of Elvis’s best.

Released in 1982 — his seventh album in five years — Elvis teamed up with a new producer, Geoff Emerick. Emerick was an engineer on many of The Beatles’ later records (the first track he engineered was “Tomorrow Never Knows”), and his influence on Elvis Costello & The Attractions’ sound is clear.

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