kidcudi  

Kid Cudi
50 Ways To Make A Record
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Album: A Kid Named Cudi (Mixtape, 2008)

paulsimon  

Paul Simon
50 Ways To Leave Your Lover
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Album: Still Crazy After All These Years (1975)

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One of the benefits of sampling other artists’ songs is that I get to rediscover music that I haven’t heard in a while. Such is the case with this edition of Musical Cousins.

One of the many (too many) year-end “best of” lists I read was The 10 Best Mixtapes of 2008 (all free, by the way). Most of them were not of interest to me, but I checked out a couple. The freshest was from Kid Cudi, a Cleveland singer-rapper who, as a result of his mixtape, became a protege of Kanye West.

Cudi has a laid back flow and a respectable singing voice. But what really brought a smile to my face was a throwaway track, a semi-cover of Paul SImon’s “50 Ways To Leave Your Lover” which he reworked as “50 Ways To Make A Record.” Yeah, the new lyrics are insidery and on its own, this track won’t move the needle for Cudi’s burgeoning career, but hearing that militaristic drum line took me back instantly.

I probably hadn’t heard Paul Simon’s version for at least 20 years, so after listening to Cudi’s track I downloaded the original immediately. Wow, what a great song (a 5-star classic, fo’ sho’). The song shifts — both musically and lyrically — from the wistful realization of dissatisfaction in the narrator’s relationship to the buoyant catharsis of letting go and finding relief through freedom. Simon is that rare artist who is equally skilled as a songwriter, singer, and musician and this classic is a testament to his talents.

Thanks, Kid Cudi, for shepherding me back to this song after all these years.

 

 
sign1  

The Ballad Of Dorothy Parker
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Slow Love
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If I Was Your Girlfriend
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Adore
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Album: Sign O’ The Times (1987)

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Most casual Prince fans would peg Purple Rain as their favorite of his albums. But those that have followed Prince’s career would probably pick Sign O’ The Times, his double LP from 1987. I play this record all the time, and picking only a few tracks to share was challenging.

I was fortunate enough to see Prince on the Sign O’ The Times tour in 1988. My high school friend, Adrian, and I had spent the day in Manhattan and we were approaching Penn Station to take the train home to Long Island. A scalper approached us and offered us tickets to that night’s show for $60 each. We were typical broke high school students and bargained him down to $60 for both. Amazing seats, right on the floor. Here are my memories of the show: it was in the round, there was a basketball court on the stage, a huge pipe organ was lowered from the ceiling, Eric B. and Rakim was sitting close to us, and a car actually drove him on and off the stage (talk about extravagant!). Overall, it was among the best live performances I’ve ever seen.

Back to the record. As I wrote earlier, it’s chock full of 5-star classics, so I tried to pick ones that folks may not know as well. And just to be really OCD about it, I selected one song from each of its four sides.

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gwen  

Gwen McCrae
All This Love That I’m Giving
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Album: Melody Of Life (1979)

1999  

Cassius
Feeling For You
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Album: 1999 (1999)

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This time out on Musical Cousins, two tracks that will make you shake your booty. Spaced 20 years apart, Gwen McCrae’s disco-funk classic, “All This Love I’m Giving,” inspired the arch French duo Cassius to produce “Feeling For You,” a bouncy electro-house track from their underappreciated 1999 album. Two very different approaches to dance music, but don’t make me choose.

Gwen McCrae is one of those 70s soul divas who never quite penetrated the mainstream in the same manner as her contemporaries (e.g. Donna Summer, Diana Ross). Emerging from the shadow of her (allegedly) abusive ex-husband, George McCrae (responsible for the mid-70s hit “Rock Your Baby”), Gwen released a few mildly successful records before getting rediscovered in the UK and enterprising hip hop producers. She’s still at it, but has shifted her talents to gospel music.

Cassius started their career remixing tracks from French house progenitors Daft Punk and Air. 1999 was their debut album, and burned up the dance charts all over the planet. For the single “Feeling For You,” Cassius took a phrase from “All This Love That I’m Giving,” sped it up and looped it, and dropped layers of synthesizers and beats behind it. Sounds simple, but there’s a mathematical precision to how Cassius constructs their tracks, maximizing their danceability quotient.

 

 
rejuvenation  

People Say
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Just Kissed My Baby
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Africa
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Album: Rejuvenation (1974)

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Though it’s not the most popular of The Meters’ records (I would guess it’s a tossup between Look-Ka Py Py and Fire On The Bayou), 1974′s Rejuvenation captures the transition from The Meters’ early, tight funk days to their later, jam-band incarnation.

Though The Meters haven’t released a studio album in the past 30 years, they continue to tour with some permutation of the original lineup. I’ve had the privilege of seeing them live on many occasions during the mid-1990s, and it is impossible not to seriously get down at a Meters show.

Though my perception of The Meters is rooted in their live performances, that’s a limited perspective, and there is no greater testament to this than the volumes of artists who have recorded with, covered, or sampled The Meters over the years: Paul McCartney, Labelle (The Meters were the studio band for “Lady Marmalade”), The Grateful Dead, A Tribe Called Quest, and many others.

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billwitherslive  

Use Me
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For My Friend
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Let Us Love
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Album: Live At Carnegie Hall (1973)

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In the latest offering from my collection of “live” albums, I selected a double LP from the great Bill Withers. Everyone seems to have a soft spot for Bill. He’s indefatigably earnest, yet I believe if “Lean On Me” was released in 2009, it would be as big of a hit as it was in 1972.

Live At Carnegie Hall was recorded in the fall of that year, and Bill was at the height of his talents. You can feel the love from the crowd, and I couldn’t think of a classier venue for Bill’s honeyed voice, unabashed positivity, and laid-back groove. True heads will be pleased to hear that Bill’s touring band was The Watts 103rd Street Rhythm Band who, a few years prior, had a big hit of their own, “Express Yourself” (sampled in a huge N.W.A. song of the same title).

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